Add a clip marker to this point in each clip. If you don't have such a reference point, look for something like a clear sudden movement or sound that appears in all clips. You can also just clap your hands to achieve the same effect. The best-known reference is a clapper board which provides both a visual and an audio point. This will likely be an obvious visual or audio reference that can easily be seen or heard in all clips. Open each of your camera clips and find a good place to synchronize them. Use clip markers (markers that you add to the clips in Premiere Pro).įor this tutorial we'll use clip markers, as it's an easy method that can always be used.Timecode is typically recorded in the camera although it can be added later. This is a point at which all the camera clips are at exactly the same moment in time, so they will be in sync with each other. The first thing to do is organize your camera angle clips and set a common sync point for each of them. Although it can take a little while to learn how to set up and use the multi-camera source sequence, once you've done it you'll probably find it much more efficient than trying to edit using a standard timeline. This provides a way to view all camera angles at the same time and switch between them (kind of like doing a live camera mix). The heart of the multi-camera system is the multi-camera source sequence. This is especially useful for situations such as live event coverage when you have several cameras showing different shots of the action, crowd, cutaways, etc. multiple camera angles of the same action. Premiere Pro has a built-in system for dealing with multi-camera shoots, i.e.
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